This acting legend frequently puts herself in other people’s shoes…and hair.
And Meryl Streep’s latest role as ‘Chief Elder’ in The Giver has the 64-year-old rocking a long, straight grey wig with fringe.
The three-time Oscar winner was all business in a purple skirt suit and white peep-toe wedges on the Cape Town set last Tuesday.African queen: Meryl Streep’s latest role as ‘Chief Elder’ in The Giver has the 64-year-old rocking a long, straight grey wig with fringe
According to Deadline, the Death Becomes Her diva portrays ‘the authoritarian charged with keeping order in a society that seems utopian.’
The Giver is based on Lois Lowry’s 1993 children’s novel about a society which has ‘gone to great – and sinister – extremes to make everything equal and peaceful.’
The sci-fi drama – coming out August 15 – also stars Jeff Bridges, Katie Holmes, Alexander Skarsgard, and country starlet Taylor Swift.Wigging out: The three-time Oscar winner was all business in a purple skirt suit and white peep-toe wedges on the Cape Town set last Tuesday
Before/after costume: The Death Becomes Her diva portrays ‘the authoritarian charged with keeping order in a society that seems utopian’
After more than 15 years of developmen hellt, a film adaptation of Lois Lowry’s Newbery-winning 1993 novel The Giver will finally begin production next month — with singer Taylor Swift in one of its supporting roles.
The Weinstein Company announced Swift’s casting today in a release that also names the rest of the film’s principals, many of whom have been attached to The Giver for months. They include Australian actor Brenton Thwaites as Jonas, a boy living in a colorless dystopian world; Jeff Bridges as The Giver, Jonas’s mentor (as well as one of the film’s producers); Meryl Streep as the Chief Elder of Jonas’s community; Katie Holmes as Jonas’s mother; Alexander Skarsgard as Jonas’s father; Cameron Monaghan as Jonas’s best friend Asher; and Odeye Rush as Jonas’s friend and love interest Fiona.
TWC tells EW that Swift will play Rosemary, the last teen mentored by The Giver before he meets Jonas.
Salt helmer Phil Noyce will direct the film, with a screenplay by The Current War scribe Michael Mitnick. Production begins Oct. 7 in Cape Town, South Africa. Its release date has been set for August 15, 2014.
I HOPE MERYL STREEP TREATS TAYLOR SWIFT LIKE SHIT ON THE SET OF ‘THE GIVER’ SO WE GET A SONG ABOUT MERYL PRODUCED BY MAX MARTIN.
Twitter – @alexandergold
Toronto: The movie adaptation of “August: Osage County” received a rare 10 minute standing ovation last night at Roy Thomson Hall. The film of Tracey Letts’ Pulitzer Prize winning play stars Meryl Streep as Violet, matriarch a volatile Oklahoma family. The ovation was like something from the Cannes film festival, not usually seen in restrained Canada, and was very disarming for everyone in the cast who was in attendance including Julia Roberts
I know, every time Streep is in a movie people say “Oscar.” But the three time Oscar winner weaves some kind of magic in this movie. You can see it from the moment she appears in half light, looking haggard with spiky short hair to when she pulls on a full, dark wig to play Violet, the pill popping cancer patient with loads of secrets. And yes, this is a comedy and a drama.
Streep was not at last night’s premiere because she starts filming “Into the Woods” this week and has a bad enough cold that she couldn’t travel up from New York with setting back that production. But her name was heard everywhere as the credits rolled and the lights went up.
Most of the large, talented cast was there however: Ewan McGregor, Julia Roberts, Chris Cooper, Julianne Nicholson, Juliette Lewis, Dermot Mulroney, and Abigail Breslin among them. And when they got to their party at Soho House–the only party of any interest last night in Toronto– pop star Taylor Swift arrived and joined them. That caused mayhem as you can imagine, when Swift and Roberts posed for pictures together with Harvey Weinstein.
“August: Osage County” was a bit of a surprise for many reasons last night. There had been a lot of talk that the film adaptation hadn’t worked out. That may have come from a teaser trailer that made the film look like a Southern comedy played for yucks. There was also a lot of discussion about how to handle Oscar positioning with Streep and Roberts. Who would be considered lead or supporting?
But once John Wells’s movie unfurled, all became clear. Streep is the star, the quarterback. In one scene taken from the play she sits at the head of a dining room table with this cast all around her. She literally throws “touchdown passes” to each cast member, landing jokes and barbs as they run to the end zone. It’s sort of mesmerizing because she never flags or tires or misses. It’s like watching an acting master class. It’s breathtaking.
So yes, Meryl Streep jumps onto the Best Actress list with Cate Blanchett, Judi Dench and Sandra Bullock. “AOC” becomes an extremely serious contender for Best Picture. It will almost certainly win Best Ensemble at the SAG Awards. Julia Roberts and Chris Cooper will be up for all the supporting awards. Cooper almost steals the show with a scene right out of Letts’s play at the dinner table. Roberts gives her most soulful performance yet, and comes across with a humanity–as one of Violet’s three daughters–that gives the movie anchor while Streep storms on like a hurricane.
PS Kudos also to Margo Martindale, Benedict Cumberbatch and Sam Shepard, who also make this movie an absolute pleasure.
Tweet – @WeinsteinFilms
In some cosmic switcheroo, Taylor Swift may just have been the perfect megawatt replacement for Meryl Streep last night at Grey Goose Soho House. Streep had been the most anticipated guest of TIFF 2013 in connection with her latest sure-to-be Oscar nominated leading role in August: Osage County, but bowed out at the last minute due to illness. There were tears for many, especially one pint sized fan who wore a “Meryl in training” T-shirt to the film’s screening at Roy Thompson Hall earlier that evening. Not for the film’s cast and Gucci and Holt Renfrew’s hosted after-party guests however—they all seemed thrilled by the surprise appearance by Swift, who showed up in a wowza Calvin Klein Collection number after walking the red carpet of One Chance. Flanked by Harvey Weinstein and a dapper Brenton Thwaites who I’m sure will be the talk of the blogs all day long (he’s about to be a Disney prince!), Swift held court on the second floor for most of the night, that is, while she wasn’t busy hanging with the film’s star studded cast, aka. the fixtures of the rip-roarious festivities.
Julia Roberts, breathtaking in raspberry Dolce & Gabbana, chatted animatedly with co-stars Ewan McGregor, Juliette Lewis, Abigail Breslin, Julianne Nicholson and Dermot Mulroney (My Best Friend’s Wedding 2.0!) for most of the evening. Her million dollar smile and signature cackle were as omnipresent as you’d, or say a little gal watching Pretty Woman on repeat a million times, imagine. Everyone was hugging. Everyone was so huggy! Nearby, Chris Cooper, whose performance instigated applause multiple times throughout the screening, ate dinner with wife Marianne Leone.
The cast seemed to be genuinely enjoying themselves, spending hours in and around the club. I even found Roberts, McGregor, Mulroney and Swift making use of Soho House’s photo-booth, conveniently located beside the women’s bathroom. “It’s a good look, you should keep it,” said Mulroney to Swift as I meekly shuffled by. (I had to touch her back. It was soft. And awkward.)
Later that night, the party got even wilder as more celebs packed in. Juliette Lewis, who swapped into a white off-the-shoulder cocktail dress after the premiere, toasted with friends on the newly opened rooftop as the familial-y blessed Jack Huston and the familial-y famous Jason Bateman hung out at tables nearby. Back on the club floor, we were thrilled to see that IRL, Mad Men’s Lane Pryce aka. Jared Harris, was very much alive. Felicity Jones was there too, cause why the heck not.
And because that wasn’t all, I witnessed Ralph Fiennes showing off his moves to Daft Punk’s “Get Lucky” as an impromptu dance party broke out on the main floor. Devil may care? More like wizard can dance, am I right?